Editorial 2/2015
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Musicologica 2/2015
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Searching for Opera’s raison d’être: a Life Story of the “undead” Artistic Genre in Bratislava
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Fulfilling Tasks or Artistic Autonomy? Stage Dance in Vienna, Bratislava and Brno
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The Dramaturgy of Oskar Nedbal and its Starting Points
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The Origination of the Slovak National Theatre: Building, Ensemble, and City Paradoxes
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Entertainment in Central Europe: The System of Roles as a Means to Standardization in Popular Musical Theater
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Gender Studies: Women in Opera and Operetta Ensembles of the Municipal Theatre in Bratislava (1886–1920)
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Focusing on the Municipal Theatre in Pressburg in 1886–1920
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Opera as a Symbol of Status. The Hungarian Royal Opera 1884–1920
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Some Remarks on the Study of the Repertoire of (not only) National Theatres
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Theater – City – Space: Urban Communication Structures in Central Europe
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