Musicologica

Journal of the Department of Musicology

Musicologica 2/2015

english

Department of Musicology · Faculty of Arts · Comenius University Bratislava
ISSN 1337-9070

Contents

  1. Editorial 2/2015 — Vladimír Zvara
  2. Searching for Opera’s raison d’être: a Life Story of the “undead” Artistic Genre in Bratislava — Vladimír Zvara
  3. Fulfilling Tasks or Artistic Autonomy? Stage Dance in Vienna, Bratislava and Brno — Gunhild Oberzaucher-Schüller
  4. The Dramaturgy of Oskar Nedbal and its Starting Points — Naďa Földváriová
  5. The Origination of the Slovak National Theatre: Building, Ensemble, and City Paradoxes — Ladislav Lajcha
  6. Entertainment in Central Europe: The System of Roles as a Means to Standardization in Popular Musical Theater — Marion Linhardt
  7. Gender Studies: Women in Opera and Operetta Ensembles of the Municipal Theatre in Bratislava (1886–1920) — Jana Lengová
  8. Focusing on the Municipal Theatre in Pressburg in 1886–1920 — Jana Laslavíková
  9. Opera as a Symbol of Status. The Hungarian Royal Opera 1884–1920 — Tibor Tallián
  10. Some Remarks on the Study of the Repertoire of (not only) National Theatres — Marta Ottlová
  11. Theater – City – Space: Urban Communication Structures in Central Europe — Markus Bauer

Editorial 2/2015

Sorry, this entry is only available in Slovensky. Abstracts are available in English.

Musicologica · Musicologica 2/2015ISSN 1337-9070

Searching for Opera’s raison d’être: a Life Story of the “undead” Artistic Genre in Bratislava

Sorry, this entry is only available in Slovensky. Abstracts are available in English.

Musicologica · Musicologica 2/2015ISSN 1337-9070

Fulfilling Tasks or Artistic Autonomy? Stage Dance in Vienna, Bratislava and Brno

Sorry, this entry is only available in Slovensky. Abstracts are available in English.

Musicologica · Musicologica 2/2015ISSN 1337-9070

The Dramaturgy of Oskar Nedbal and its Starting Points

Sorry, this entry is only available in Slovensky. Abstracts are available in English.

Musicologica · Musicologica 2/2015ISSN 1337-9070

The Origination of the Slovak National Theatre: Building, Ensemble, and City Paradoxes

Sorry, this entry is only available in Slovensky. Abstracts are available in English.

Musicologica · Musicologica 2/2015ISSN 1337-9070

Entertainment in Central Europe: The System of Roles as a Means to Standardization in Popular Musical Theater

Sorry, this entry is only available in Slovensky. Abstracts are available in English.

Musicologica · Musicologica 2/2015ISSN 1337-9070

Gender Studies: Women in Opera and Operetta Ensembles of the Municipal Theatre in Bratislava (1886–1920)

Sorry, this entry is only available in Slovensky. Abstracts are available in English.

Musicologica · Musicologica 2/2015ISSN 1337-9070

Focusing on the Municipal Theatre in Pressburg in 1886–1920

Sorry, this entry is only available in Slovensky. Abstracts are available in English.

Musicologica · Musicologica 2/2015ISSN 1337-9070

Opera as a Symbol of Status. The Hungarian Royal Opera 1884–1920

Sorry, this entry is only available in Slovensky. Abstracts are available in English.

Musicologica · Musicologica 2/2015ISSN 1337-9070

Some Remarks on the Study of the Repertoire of (not only) National Theatres

Sorry, this entry is only available in Slovensky. Abstracts are available in English.

Musicologica · Musicologica 2/2015ISSN 1337-9070

Theater – City – Space: Urban Communication Structures in Central Europe

Sorry, this entry is only available in Slovensky. Abstracts are available in English.

Musicologica · Musicologica 2/2015ISSN 1337-9070

Editor-in-Chief: Yvetta Kajanová


Editorial Staff:
 Mgr. Zuzana Ben Lassoued, PhD., Mgr. Monika Dorna, PhD., Mgr. Lea Duffell


Editorial Board:

Prof. Stéphane Audard, PhD., Sorbonne Université, Paris Conservatory, Paris Cité University, Iremus-CNRS, Paris, France

Ass. Prof. Jana Bartová, PhD., Department of Musicology, Faculty of Arts, Comenius University, Bratislava, Slovakia

Mgr. Jana Belišová, PhD., Department of Musicology, Faculty of Arts, Comenius University, Bratislava, Slovakia

Mgr. Jan Blüml, PhD., Faculty of Arts, Palacký University Olomouc, Czech Republic

Prof. Luca Cerchiari, PhD., IULM-University of Languages and Communication, Milan, Italy

Mgr. Ondřej Daniel, PhD., Institute of World History, Faculty of Arts, Charles University, Pragues, Czech Republic

Prof. Peter Frost Fadness, Faculty of Performing Arts, Deparment for jazz, Dance, PPU and Music Production, University of Stavanger, Norway

Prof. PhDr. Marta Hulková, PhD., emeritus researcher, Department of Musicology, Faculty of Arts, Comenius University, Bratislava, Slovakia

Prof. Yvetta Kajanová, PhD., Department of Musicology, Faculty of Arts, Comenius University, Bratislava, Slovakia

Ass. Prof. Stefano Marino, Universita di Bologna, Department of the Arts, Italy

Petr Dorůžka, Czech National Radio, Prague, Czech Republic,  member of The World Music Charts Europe panel

Dr. Kinga Povedák, PhD. MTA-SZTE ‘Convivence’ Religious Pluralism Research Group (ELKH), Hungarian Academy of Sciences, Budapest, Hungary, University of Szeged, Departments of Ethnology and Cultural Anthropology), Hungary

Ass. Prof. Rüdiger Ritter, PhD. Technical University of Chemnitz, Institute for Cultural and Area Studies of East Central Europe

Prof. PhDr. Lubomír Spurný, PhD., Department of Musicology, Faculty of Arts, Masaryk University, Brno, Czech Republic

Ass. Prof. Igor Pietraszewski, PhD., Institute of Sociology, University of Wroclaw, Poland

Ass. Prof. Marina Toffetti, Universita degli studi di Padova, Dipartimento dei Beni Culturali, Italy

Ass. Prof. Dr. Marcus Zagorski, PhD., Department of Musicology, Faculty of Arts, Comenius University, Bratislava, Slovakia

Dr. Julijana Zhabeva Papazova, PhD., Ss. Cyril and Methodius University, Faculty of Music, Skopje, Macedonia

Ass. Prof. Mgr. Vladimír Zvara, PhD., Department of Musicology, Faculty of Arts, Comenius University, Bratislava, Slovakia

 

Publisher: Department of Musicology, Faculty of Arts, Comenius University, Bratislava

 

Musicologica.eu © 2025 by  Yvetta Kajanová is licensed under CC BY 4.0 

Musicologica · Musicologica 2/2015 · ISSN 1337-9070